An Unofficial 'The Rest Is History' Reading List

476. The French Revolution: The Diamond Necklace Scandal (Part 2)

July 29, 2024

Description

In August 1785 a shocking affair came to light which would prove so detrimental to the reputation and standing of the French King Louis XVI, and more especially his already unpopular wife, Queen...
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Books Referenced

The Revolutionary Temper

Author: Robert Darnton

Context:

Referenced as a brilliant book with a chapter about the controversy surrounding The Marriage of Figaro and how it foreshadows the French Revolution. Also cited later for its discussion of the public appetite for news and gossip in Paris during the 1780s.

Citizens

Author: Simon Schama

Context:

Referenced when discussing Marie Antoinette's attitude toward the play The Marriage of Figaro, noting 'the more outrageous the denunciations of the established order, the better the queen liked it.' Also quoted regarding the Cardinal's comfortable imprisonment in the Bastille.

How to Ruin a Queen

Author: Jonathan Beckman

Context:

Described as a brilliant account of the diamond necklace scandal. The host mentions Beckman plays cricket with him. The book is quoted for its description of Nicole Gay and later for explaining the implications of the Parliament's ruling on the queen's reputation.

Dangerous Liaisons

Author: Laclos

Context:

Referenced as a novel written during this period that captures the gossiping culture at court - people gossiping about each other, overhearing conversations, and reading letters not meant for them.

The Wicked Queen: The Origins of the Myth of Marie-Antoinette

Author: Chantal Thomas

Context:

Described as 'her wonderful book about the pamphlets and Marie Antoinette's relationship to them.' The book discusses how Marie Antoinette didn't understand the power of the written word and how pamphlets portrayed her.

Justine

Author: Marquis de Sade

Context:

Referenced as the Marquis de Sade's most famous novel, with its heroine Justine described as impeccably virtuous but persecuted by aristocratic monsters. Used as a comparison to how Jeanne de Lamotte portrayed herself as an innocent victim.